It can be said that the literati's own feelings and the understanding of the huanghuali wood infiltrated into the furniture bit by bit, reflected from every detail, forming the literati tendency of Huanghuali furniture.
Intern reporter Li Lin reports
Speaking of classical furniture, it is necessary to trace back in memory. The reporter had met a female teacher who loved this kind of furniture for ten minutes. In the living room, there is a classic fragrance, and there is a bed of huanghuali in the bedroom. At first glance, it looks like going back to the past and returning to the Dream of Red Mansions.
As the most excellent wood for making furniture, huanghuali has extraordinary characteristics. This kind of characteristic is characterized by not easy to crack, not easy to deform, easy to process, easy to engrave, clear texture and scent, etc., together with the craftsman's exquisite skills, Huanghuali furniture has become a model of classical furniture in the United States.
Today, collectors at home and abroad are proud of the collection of Huanghuali furniture. Huanghuali furniture has also become synonymous with the beauty of classical furniture.
Value collection in the West
Chinese Ming and Qing furniture, like other works of art in ancient China, not only has a profound historical and cultural heritage, but also has elegant and practical functions, which is memorable.
The collection of Ming and Qing furniture began in the 1930s. The first book published by Gustav Aike, the book of Chinese classical furniture, "The Ming Dynasty Huanghuali Furniture Picture Examination" has had a great influence in the academic world, and people are beginning to realize the substance left by our ancestors. The importance of cultural heritage, the skills of ancient Chinese artisans reflected in the pictures in the book, has made many experts and scholars at home and abroad amazed. Foreigners began to collect and acquire large quantities of Chinese Ming and Qing furniture and shipped them overseas. In the decades that followed, Westerners upgraded Chinese Ming and Qing furniture to the same status as other Chinese artifacts.
In the Ming and Qing Dynasties furniture collections in Asia, especially in Hong Kong and Taiwan, it was only after the publication of Mr. Wang Shizhen's "Luxury Furniture Collection" in 1985 that Hong Kong and Taiwan collectors flooded into the Mainland to search for Ming and Qing furniture. At that time, there was no classical furniture market in the Mainland. The antiques in the Mainland did not know the international price of classical furniture. The price tag issued by collectors from Hong Kong and Taiwan has greatly stimulated the enthusiasm of mainland furniture manufacturers. They went deep into the urban and rural areas of the provinces of Jiang, Jin, Anhui and Shaanxi, and went to the old houses of each old house to search for the Ming and Qing furniture such as huanghuali, mahogany, ebony and chicken wing wood at a very low price. The price has skyrocketed nearly 10 times.
In the climax of classical furniture outflows, domestic collectors also began to collect classical furniture. The first thing that attracts Chinese people is the rapidly rising price. In addition to the preservation of classical furniture, it also makes people feel the artistic charm of Ming and Qing furniture. In the mid-1990s, the trading of furniture in the Ming and Qing Dynasties has become the highlight of antiques trading.
In the 1950s, experts such as Wang Shizhen participated in the formulation of laws and regulations on the export of Ming-style furniture such as red sandalwood and huanghuali. When the outflow of furniture in 1985, Mr. Wang once again appealed to the cultural relics department, furniture vendors completely ignored this rule. A rosewood table has an overseas auction price of $325,000, equivalent to 2.7 million yuan. The gap between prices at home and abroad has prevented the outflow of Chinese classical furniture.
After 1985, the market preferred Su Zuo, Guang Zuo, and Jing Zuo's Ming style furniture. By the end of the 1980s, due to the reduction of the supply of hardwood furniture in the market, Jiangsu, Anhui, Zhejiang, Shanxi, and Fujian-style firewood furniture in Quanzhou and Xiamen became the direction. The main object of dumping. By the early 1990s, such folk furniture with Chinese folk flavors began to enter international auction houses in New York, London, Hong Kong and other places, accounting for more than 30% of each auction of classical furniture.
Yellow pear wood furniture
Gradient as a symbol of identity
Huanghuali furniture is the most representative in the consciously pursuing the perfect reproduction of furniture design that is closely related to life. Under the guidance of the literati's aesthetics, Huanghuali Furniture transcends its own limitations, and injects the spirit of literati into it, becoming a representative of furniture with literati style.
The feudal society in China should be centered on the literati. There is no dispute. The literati's longing for and pursuit of life is reflected in the furniture. This is consistent with the ancient philosophy of existence and cannot be separated. The aesthetics of the literati determine the appearance of the furniture, and the literati's interest gives the spirit of the furniture.
In the late Ming Dynasty, the literati were excluded from the political circle and could not display their ambitions. Under the cruel reality, the literati who were only highly motivated were forced to lose their enthusiasm for politics. The famous literati Xu Wei at the end of the Ming Dynasty said that the sentence of "There is nowhere to sell the pearls in the pen, and throwing the wild vines in the wild" reflects this. The talents have nowhere to show their sorrow. At this time, a large number of literati in the Jiangnan area returned to their hometowns, built houses, digging pools and mountains, creating a place for self-reliance and politics without ignoring politics, and using their talents in the pursuit of art. The literati advocates nature, pays attention to elegance, and has a very high demand for gardening. Therefore, the landscape of the famous gardens in the south of the Yangtze River has emerged.
The garden requires a lot of furniture to fill it. The style of the furniture should be consistent with the garden, and there must be no vulgarity to destroy the overall effect of the garden. In this way, the huanghuali wood enters the literati's sight with its obvious advantages. Its warm yellow color is not glaring and not prominent, but it will never be neglected. It conforms to the Confucian doctrine of the golden mean; its wood grain is as comfortable as a flowing stream, concealing the literati's pursuit of nature.
Therefore, under the supervision and design of the literati, Huanghuali furniture was mass produced and used. Because of the preciousness of huanghuali wood, literati and craftsmen need to be more cherished and careful in their production. Every shape is repeatedly pondered, and every decoration is meticulously succinct, lest the cheesy work ruin the wonderful wood. Therefore, the furniture made of huanghuali wood is mostly simple in line, elegant in style, meticulous in workmanship, and not a vulgar, becoming a classic of classical furniture. It can be said that the literati's own feelings and the understanding of the huanghuali wood infiltrated into the furniture bit by bit, reflected from every detail, forming the literati tendency of Huanghuali furniture.
From the Ming Dynasty to the Qing Dynasty, for five hundred years, regardless of the rise and fall, Huanghuali Furniture has always emphasized the superiority of identity and advocated a noble life. Chasing its roots, the cultural content of Huanghuali Furniture contains a thought of exquisiteness, which is to never hesitate to cater to the market in order to ensure the nobleness and inviolability of culture.
It’s hard to collect genuine products.
The female teacher told the author that there are more and more counterfeit things. Some bosses will pour rice water and tea water on the newly-made furniture, and then rest on the outdoor mud land, sun and rain for two or three months. After that, its wood grain will naturally crack, the paint will crack and the color will be dark, it will be very old, and many people who do not understand will be fooled.
In fact, the water mark of the real thing is generally no more than one inch, and the fake is often more than a lot. In order to achieve a more realistic effect, some bosses also made a gap that was bitten by a mouse on the drawer of the furniture, or used the old material of the insect to do the key parts, and even more, the locusts were specially raised. Special effects.
Therefore, if you want to collect real huanghuali furniture, you need a certain amount of experience and basic professional knowledge. The female teacher said that in fact, there are 3 points from the sense of view. First, the huanghuali wood itself is a traditional Chinese medicine, and it smells like Chinese medicine. The second is that the yellow pear is hard, the texture is clear and beautiful, the visual sense is very good, and the vividness is changeable. The professional calls it “flowing cloudâ€; the third is the “grim faceâ€. The so-called grimace refers to the crusting in the growth process of huanghuali. Because there is no rule in the knot, it is called "grimace".
Huanghuali Furniture conquered researchers and collectors with its unspeakable connotation. The furniture of a few hundred years ago still maintains a spirit of inspiration, and it will be very cordial to understand it carefully. Anyone with a high taste, such as a female teacher, will appreciate the literati tendencies that Huanghuali furniture reveals.
Strand Woven Bamboo Flooring
Established in 2009, Jiangsu SunYo Flooring Co., Ltd is a privately owned enterprise, it`s specialized in producing Laminate Flooring,engineered flooring and other kind of floorings. Combined with the company's own four well-known brands, SunYo has become one of the industry leader in laminate/engineered flooring. Based on the road of independent innovation, the company has always strictly required the company itself with high standards and high positioning to continuously improve product quality. Continuously introduce advanced production equipment, multiple modern assembly lines, sophisticated testing instruments, adhere to "people-oriented, market-oriented, and innovation for development", and constantly sum up experience, strong scientific research strength, and innovative development of the market Marketing strategy points. A high-quality product research and development center has been established in the industry, and a number of patented technologies have been obtained. Please contact us freely if you have interested in our products.
Waterproof Bamboo Flooring,Bamboo Vinyl Flooring,Best Bamboo Flooring,Lifeproof Bamboo Flooring
Jiangsu Sunyo Flooring Co., Ltd , https://www.woodmapflooring.com